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01522 83 7040
University of Lincoln
Brayford Pool
United Kingdom

About Sreenath Nair

Sreenath Nair studied Cultural and Critical Theories and Performance studies at several Indian and British Universities: University of Calicut in 1992; Rabindra Bharathi University in 1995; Mahatma Gandhi University in 1997 and University of East Anglia, Norwich in 2002. He completed his PhD in 2005 at the University of Aberystwyth, Wales and in the same year he joined in the College of Arts at the University of Lincoln as a Lecturer. His doctoral thesis on Restoration of Breath is a pioneering work in the field of ethnography, culture and intercultural performance published by Rodopi in 2007. His research continues to develop on embodied methodologies (the body and culture) in a variety of aesthetic, epistemological and practical contexts, establishing an ongoing dialogue between the Indian (Asian) and Western intellectual traditions. He has been publishing scholarly articles and book chapters since 2007. He has been invited to several international conferences for Keynote lectures including Finland, Norway and India. He was awarded the Leverhulme International Fellowship in 2011. He accepted the Scholar-in Residence appointment at Tisch School of the Arts at New York University in 2012. During his visit in the United States of America, he has lectured and conducted workshops at Columbia University and New York University on Restoration of Breath, a pioneering research combining the body, culture, ethnography and performance theory.  He holds the honorary position of the Research Advisor of Doctoral Studies at the Dance Studies, University of Auckland, New Zealand since 2013. He is the Editor-in-Chief of Indian Theatre Journal published by Intellect and Fellow of the Higher Education academy, UK. His publications include: Restoration of Breath: Consciousness & Performance (Rodopi, 2007); The Natyasastra and the Body in Performance (McFarland, 2015); Manikin Plays (Cambridge Scholars Press, 2013); Evocative Body: Technique as Knowledge in Indian Performance (Co-authored with Ralph Yarrow) Routledge (forthcoming).   Sreenath Nair invites M Phil/ PhD applications in the following areas: the body & Culture; Asian (Indian) performance theory & practice; embodied methodologies; the Natyasastra Studies.

Department Responsibilities

Module Leader: MA Research Methodologies Teaching: Critical Histories, Site-Specific Performance, Research Methodologies & Dissertation

Subject Specialism

the Body & Culture; Intercultural performance; Indian theatre; embodied methodologies; Natyasastra studies; performance theory.


  • PhD Theatre Studies, — 2007
  • MA Theatre Studies — 2002
  • M. Phil Theatre Studies, — 1997
  • MA Theatre Studies — 1995
  • BA Theatre Studies — 1992


  • Lincolnshire Diversity in the Arts: Research & Development — Arts Council of England (ACE),
  • Leverhulme Study Abroad Fellowship 2011 — Leverhulme Trust,
  • Kumar Gandharva [Senior] Fellowship Award, Ministry of Culture, Govt. of India, 1998 — Ministry of Culture, Govt. of India,


Editor, Indian Theatre Journal (ITJ) Artistic Director, Playwrights’ Theatre, Kerala, India

Orcid ID


Research Groups Memberships

  • Theatre & Asian Performance (TAP)

Research Projects

  • Lincolnshire Diversity in the Arts: Research and Development — awarded £37083 by Arts Council England in
  • Leverhulme Study Abroad Fellowship, 2011 — awarded £10406 by Leverhulme Trust in

Research in the Lincoln Repository

Professional Affiliations

  • University of Auckland, New Zealand — Research Adviser (Doctoral Studies) in Dance Studies,
  • New York University, USA — Scholar-in-Resident at Tisch School of Arts